Visiting Artist Series: Jade Orlando

Friday, January 31, 2025

Photos © Ravenshutleystudios.com


This week, we had the pleasure of hosting Jade Orlando, a talented illustrator based in Atlanta, as part of our Visiting Artist Series. Over the course of three days, Jade engaged with our students visiting different classes through presentations, demos, and insightful discussions, leaving a lasting impact on our Illustration community.

During her visit, Jade stopped by my class, ILLU 386: Repeat Pattern for Illustrators, where she shared insights into the surface design industry, including tips on portfolio building and navigating the freelance market. Given her extensive experience in surface design, including greeting cards, pattern design, and packaging illustration, her insights were invaluable to our students. She shared her journey as an illustrator, offering practical advice on building a strong portfolio, navigating the industry, and identifying opportunities in the illustration market. Beyond the technical aspects, what made Jade’s visit truly special was the personal and candid nature of our discussions. Students were engaged in an extended Q&A session, where she generously answered questions about her career, process, and challenges. The conversation felt natural and open, making it incredibly relatable and motivating for students who are preparing to enter the field themselves. 


On Friday morning, Jade wrapped up her visit with a hands-on department-wide demo and workshop, where she walked us through her illustration process step by step. We had a great turnout, with students eager to see how she approaches her work, from concept to final execution. Seeing her workflow firsthand was both inspiring and educational, offering valuable takeaways for students looking to refine their own creative processes.



Jade’s energy, expertise, and willingness to share her experiences made this visit a memorable and enriching experience. Her visit was an incredibly motivating and enriching experience, and we are so grateful for her time with us as part of our Illustration Department community, and we hope to welcome her back in the future!


Check out more of Jade Orlando's work at
jadefrolics.com and Bright Agency!!

Senior Spotlight: Jessica Shime

Saturday, January 18, 2025

Senior Spotlight: Jessica Shime

Jessica's Creative Path to Storytelling

SCAD-ATLANTA Illustration students never cease to amaze us with their creativity and innovative approaches to illustration. Our Senior Spotlight celebrates some of our most dedicated and inspiring graduates. This week, we’re thrilled to highlight Jessica Shime and her incredible journey in illustration. Join us as we explore her talents, passions, and the stories she brings to life!


Name: Jessica Shime

Pronoun: she/her

Hometown: Decatur, GA

Major/minor: Illustration

Website URL: https://www.jessicashime.com/

Instagram ID: @jessica_shime


ILLU: Tell us about your first encounter with "illustration" and/or the moment you decided to pursue a career in illustration.


JS: My first encounter with illustration was likely through children’s books when I was younger. I was fascinated by everything mythical and fantastical. I didn’t realize illustration could be a career path or a field of study until a professor at Georgia State introduced me to it while I was studying biology. After taking a drawing class, that professor encouraged me to pursue a creative path, as I wasn’t feeling fulfilled by my current studies. I’m incredibly grateful for their guidance and the push to follow my passion.  


ILLU: That's awesome! You know, there are many art schools out there. Whey did you choose SCAD Illustration?

JS: I chose SCAD Illustration because of my love for Atlanta. As I mentioned earlier, I was attending Georgia State and had fallen in love with the city. When I found out SCAD had a campus in Atlanta, I was thrilled! Even growing up in Texas, I had heard about SCAD’s stellar reputation. I was also drawn to the smaller class sizes and the opportunity to build more personal connections with faculty and advisors, which was a refreshing change from the large 300-person lecture classes I had experienced before.  

ILLU: You made a stellar decision! What is/are the most important thing(s) you have learned from your SCAD experience?
 
JS: One of the most important things I learned at SCAD was time management and discovering just how much I’m capable of. During my time there, especially in the foundational classes, I had to figure out the best ways to manage my time effectively. It went beyond just working hard—because even if I put in the effort, without proper time management, I wouldn’t have been able to juggle all the assignments and complete them on time. SCAD gave me a new level of confidence in my ability to manage my workload, and now, in the real world, I feel equipped to handle tight deadlines and turn around assignments quickly.  



ILLU:
We're glad to hear that you found the new level of confidence! You've earned it. Tell us a little bit about your current illustration work and successes. Any personal, academic, or professional ones are welcome!

JS: I feel very fortunate to have had such fantastic professors at SCAD who not only pushed me to grow in my craft but also supported me by entering my work into competitions. Thanks to SCAD, I was selected as a participant in the Society of Illustrators New York competition, won a sculptural award, and had my work published in *SCAN* magazine. Beyond SCAD, I’ve been able to balance freelance opportunities, such as creating posters for golf tournaments. Through the SCAD network and the incredible people I’ve met, I’ve also started participating in pop-ups around Atlanta and have been invited to some amazing events as a result.



ILLU: Awe, we also feel so fortunate to have all of our fantastic students! What has been your greatest challenge and achievement in the Illustration Department?

JS: My greatest achievement in the illustration department was the quarter when I was juggling three different studio classes. My advisors had warned me that it might be too much coursework, but looking back, I’m really glad I took it on. It showed me what I’m capable of and pushed me to realize just how resilient I can be. By the end of it, I felt incredibly fulfilled and better for having had the experience.  


ILLU: Yaaasssss, Jessica!! We're so proud of you. What would your illustration dream job look like or be? 


JS: I would love to be in a position where I could illustrate fantasy children’s books like the ones I grew up reading. Those stories inspired me so much as a child and sparked my imagination in ways I’ll never forget. It would mean the world to me to create that same sense of wonder and inspiration for another child.  



ILLU: Amazing. Do you have any words of advice for underclassmen?


JS: My advice for underclassmen is to embrace failure—it’s a natural and essential part of growth. When I first started at SCAD, especially in illustration, I received a lot of critiques from my teachers and professors, and that’s completely okay. The key is to learn from that feedback and use it to improve. How you start SCAD is not how you’ll finish SCAD. It’s a long journey, and one of the most rewarding parts is looking back at the end and seeing how much you and your peers have grown and evolved. So, embrace the process, don’t be afraid to fail, and most importantly, take care of yourself. Make time to relax and prioritize your mental health—happy artists make great art!  


ILLU: Facts! I'm just curious,,, What is/are your favorite color(s) and why?


JS: My favorite color is green! I love being surrounded by nature and drawing trees—it’s just so fascinating and inspiring. There’s something so magical about lush green forests, and I always associate the color green with that sense of peace and wonder. Nature is just so incredible, and green perfectly captures its beauty for me.  


ILLU: How about... What is/are your favorite art tool(s)?


JS: I absolutely love the lasso tool in Photoshop and Procreate. It’s funny because when I first started my digital art journey in 2022, I was so against using the lasso tool. But now, it’s become my go-to tool and a total lifesaver. It allows me to work so much faster and more efficiently, and I honestly can’t imagine creating without it!  





ILLU: Hahaha, the lasso tool is definitely lassoing! Finally,,, Let's get personal. What is one thing that really matters to you? 


JS: Something that truly matters to me is using my art, creativity, and career—wherever it takes me—to make a positive impact on others. Art brings me so much joy, and I hope to share that joy with others by telling stories that inspire people to create positive change in their own lives or communities. My ultimate goal is to leave the world a little better than I found it, and I believe art has the power to do just that.


ILLU: Beautiful. Jessica, your journey into illustration is so inspiring—it’s amazing how you found your passion and embraced it so fully! We can absolutely see you creating a children’s picture book that inspires young readers the same way those stories sparked your imagination growing up. We hope you pursue that dream—you have such a unique voice as an artist, and we have no doubt you’re going to make a meaningful impact in the illustration world!!

For more work:

Website URL: https://www.jessicashime.com/

Instagram ID: @jessica_shime


All images © 2025 Jessica Shime

Summer Student Work 2017

Friday, August 11, 2017

New work from the ILLU463: Career Strategies for Publication Design, and the ILLU742: Directed Projects in Illustration classes
Blanca Chen

Blanca Chen

Ningning Gu

Ningning Gu

Youna Kim

Sabrina Lu

Dong Luo

Dong Luo

Di Pei

Kire Torres

Shishuang Tu

Shishuang Tu

Shishuang Tu

Shishuang Tu's Vampire Family project is a semi-finalist in the Adobe Design Achievement Awards!


Scroobious Pips

Tuesday, November 24, 2015

Two classes worked on the Scroobious Pip project this fall quarter. The project was inspired by two different things; James Gurney's video demo called "How I Paint Dinosaurs", and a silly poem by Edward Lear called "The Scroobious Pip", a nonsense story about an animal that is a little of everything. The students created their version of the Scroobious Pip in polymer clay; it begins with a wire armature, is bulked out with aluminum foil, is covered in Super Sculpey, sculpted, baked and finally painted. The maquette is lit and photographed and is used as a model for a finished illustration that tells a bit of a story about each Pip.
Here are a few photos of a Pip being constructed:
Alexandra Badiu

The Exploration of Mediums class used an illustration technique that involves lots of materials and processes; it starts with a drawing on illustration board, then acrylics are used to paint the lightest local color and value. On top of the acrylic layer, watercolors are painted as the midtones and local color, then are lifted using clean water and a paper towel to reveal the lighter acrylics underneath. After that, a thin, cool color of oils in a transparent wash is painted over the entire piece. It is allowed to dry a bit and is then lifted with erasers to reveal the midtones and light values, and left only in the shadows. Finally, the piece is sprayed with fixative and finished with colored pencils and acrylics in opaque colors to extend the value range and color intensity.

Here are a few examples:

Avery Beason


Whitney Childers


Lydia Hancock

The Media and Techniques class built maquettes using the same materials and processes, but the illustration technique was different. This class did an acrylic "grisaille", or monochromatic underpainting using shades and tints of a single base color. Then glazes of transparent acrylics are added for color. The paint gets more and more opaque with the addition of white and more pure color as lighter, brighter values are needed.
Here are a couple of examples of the Grisaille project:


Alexandra Badiu


Sally Geng






RED DOT Design Competition Winners

Sunday, September 20, 2015

Congratulations to Jing Li and Diego Peñuela for their selection by the International Communication Design Competition. This is an International competition with entries from all over the world;
"With 7,451 entries from 53 countries in 2015 alone, the Red Dot Award: Communication Design stands more than ever for the best international campaigns, marketing strategies and creative solutions."




Diego Peñuela; excerpts from his "Borges" series

Jing Li; Portraits Series

Jing Li: Romeo and Juliet book cover